Outlook, the wonderful rebel magazine from the South, has done it again. It has a different cover story on the website and a different one on the newsstand. Interesting fact. The online version has the Revival of Buddhism story as the lead cover story and the political and electoral debacles of the communist parties of India (all shades) as a second lead as can be seen in the top left inset of the cover graphics on the website. However, if you pick up a copy from the newsstand, you will find the Buddhism story in the inset and Hammered and Sick as the main cover story (uniformly red though). Here is google's cache of the index page for this issue so you can see the cover images for yourself.
One guess is that they wouldn't have expected the reds to go online to check if they were still bleeding online as they were in print.
Anyway, heartening to read about the growth of "new age" Buddhism in the land that Shakyamuni Buddha hailed from.
Read the whole story here.
Over 37,000 people in the country have been chanting their way to happiness. We look at how the Buddhist mantra, Nam myoho renge kyo, has become a movement in itself
It’s half past ten on a sticky Sunday morning when an assortment of men and women between the ages of 25 and 45 troop into a plush apartment in Delhi’s Friends Colony locality. The living room has been cleared of furniture and glasses of water are placed in one corner. One among these 40-odd people leads a Buddhist chant —Nam-myoho-renge-kyo—to a chorus for ten minutes. It’s followed by a short speech on the significance of the Soka Gakkai International, a global association that promotes the philosophy of the 13th century Japanese Buddhist, Nichiren Daishonin, that has found resonance in India among over 37,000 people.
The forum is then open for all gathered, people begin talking about their problems, sharing experiences about how this prayer has transformed their lives. For one and a half hours, twice a month, members of the Bharat Soka Gakkai gather on Sundays in different parts of India, (there are chapters in over 50 Delhi colonies alone), to chant, talk about life and their sorrows and to gain strength to surmount problems, together as a group.
Song, by its nature brings not only the listeners and the performers together as one spirit but also unifies the many bodies of the singer, the multitude of lives that each one of live in these harried times. Song unites hearts, and this ability to unite peoples heart comprises the unchanging formula for absolute victory in our lives, explains Ikeda.
With the global gloom of the last 18 months, it is becoming increasingly important for us as a civilization to find the true implication of our being, to come together as many in body, one in mind, to accomplish that for which we have been placed at the top of the evolution pyramid, the reason why only we of all beings have been given voice, words, and song in our hearts. To use these gifts to lead all beings to the highest potential we as a race are capable of expressing.
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After the torturous suspense of the last few years, with each category drawing the stiffest of competition, and amazing new finds, the grammies this year have spared us. Not only were there no notables among the major nominations, even the competition was all but absent. There was no Herbie Hancock (another champion of Kosen Rufu and one who acknowledged Ikeda as his mentor) interpreting Joni Mitchel, no Ray Charles, no Norah Jones to get the ulcers going. I do not intend to imply the lack of individuals or names, but more the stature of the creative expression that has made the final cut for the awards this year. The only wow nomination in the mainstream categories, and this is merely my opinion, was Robert Plant and Allison Krauss’ Raising Sand, a seminal work that will stand the test of time, and one that went on to bag them the best pop vocal, record of the year, and album of the year. The only pity was the sound mixing during their performance at the awards show resulting in a regrettable loss of the lower registers on the vocals. However, I am optimistic that this lack of overall spunk in the finalists is just a lull and not a sign of the times (a view endorsed by both the contemporary jazz album and the world music nominees).
While the awards were predictable and perhaps somewhat lackluster, the awards show, however, was a treat. One is put to test to pin down any one performance as a highlight, starting with the opening act by U2 reminding us how beautiful we are. Justin Timberlake shone as he matched vocals with the Reverend of soul, Al Green on Lets Stay Together, no small feat. Mylie Cyrus and Taylor Swift doing Fifteen was a dream come true for fans, as was McCartney and the Foo Fighters doing I saw her Standing There. Kid Rock’s anthem to peace and justice had a fleeting Ashoka’s Chakra as part of the visuals. Radiohead performed 15 step, an electrifying performance that will stay on both Sandeep’s and my playlist for a long time to come, I know for sure. Neil Diamond walking down the aisle singing Sweet Caroline with almost the entire audience singing along was memorable, especially the moment when he stood between Paul McCartney on one side and Coldplay in their Sgt. Peppers uniform on the other, with all of them screaming together like mosh pit fans, touching me, touching you. A truly touching moment, one can captured the spirit of the evening and the hope that it holds for the future.